I’m trying to take this idea of Movie Yoga seriously. He makes the case that even the most horrific violence can actually be cathartic, if you lean in emotionally, rather than zone out; if you allow the scenes to affect you, see what rises from the depths of your unconscious, and then accept and integrate, affirm and bless, those contents.
So I decided to watch two horror classics, Saw and “The Texas Chainsaw Massacre”. I watched Saw last night.
As I process it, several plot elements come to mind. First the emotionlessness, the passionlessness of the doctor. Even as time is ticking, he is acting as if he has all the time in the world. 6 o’clock comes around, and he is surprised by it. ONLY when he can no longer act, does the full weight of urgency strike him.
For his part, the kid is hasty. The movie is bookended by the key he lost in his haste to get the recorder. Interestingly, had the doctor been on his side, his plodding approach might have won him the key. But of course the murderer knew that.
It occurs to me that all the characters in the movie have classic hamartias, and that Horror in some cases might be viewed as a species of tragedy, complete with catharsis.
In Movie Yoga, he makes the case that life is characterized by constant death and rebirth cycles, which have four main components: complacency/safety; being forced from safety, but unable to move, being trapped; energetic motion away from the forces oppressing you, running from them, fighting them, and eventually moving towards something; and finally freedom, a completion of the journey. There are of course numerous examples of this in the Lord of the Rings. One he doesn’t mention is the womb-like pseudo-safety of Helm’s Deep, and the final need to press out, to forego defensive barriers, in order to win the day, which of course happens at dawn.
This series of steps echoes the physical birth process, which Stan Grof argues is a very important element in everyone’s psychosocial development. Parts of ourselves can be stuck at each stage, with following life consequences. The goal, of course, is to facilitate movement, with the idea being that sufficient movement will erode barriers preventing us from consistently being able to travel through to freedom and stay there.
But back to Saw. I was watching myself, and when the movie started, I was acutely feeling their confusion, panic, anger at confinement, and an overall sense of anxiety. I found myself standing while watching it. What was going to happen? And I identified with the doctor’s final panic attack, when he realized how his passionlessness has put his wife and daughter in grave danger.
And in the end, of course, he failed. There was nothing he could do when he finally chose to do something. But we the viewers did not fail. We can learn from his lesson. We can learn to value life more, and to live with more passion, more connection, more vitality.
In some respects Jigsaw acts as a deity in the Greek sense. He even wears a pig’s head, and dresses as a priest. He acts as a daemonic spirit, where daemon can mean god, demon, fortune or fate.
He is evil, of course, but the point of the movie is to interact creatively with it. What do the events on the screen teach US, the viewers?
It is worth noting that Greek tragedy is quite violent. Cannibalizing children, incest, rape, and of course murder feature prominently, particularly, I read, in tales concerning the House of Areus.
I have work to do, but will likely post something on the Texas Chainsaw Massacre after I view it.
What we need to understand is that “austerity”, as it is being bandied about in Europe and the United States, is committing to provide 20 candy bars a day to a 600 pound man, with an annual increase of 2 candy bars per day per year for the next forty years, or until he dies. He gets used to this idea, then all of a sudden it is decided to reduce the amount of increase to 1 3/4 candy bars a year. The horror.
Put another way, if true austerity is “belt tightening”, what is actually being discussed is a decrease in the rate at which the belt is loosened. It is still belt loosening; the only thing being discussed is the rate at which we should continue becoming fatter; or, to make it concrete, the rate at which the Federal Government continues to metastasize.
And it is worth reiterating often both that every public sector job can ONLY exist at the expense of private sector jobs, and that government stimulus in the best possible case does the same work the private sector would have done, after taking a cut out of it, and in most cases subtracting intelligence. If you believe that digging and filling in holes is productive, that is taking intelligence out, and ensuring that whatever word is used, “investment” is not and can never be an appropriate one.
When
used by the left wing the word austerity is to sound fiscal policy what
the word social justice is to actual fairness. It is a propagandistic
meme designed to allow the short sighted to convince the stupid that 1.4
trillion dollar deficits can be sustained forever. To be clear, that
IS what is being proposed. Obama’s latest budget does not balance EVER,
within the lifetime of ANYONE. And that is just the annual budget.
NOBODY, on the left or the right, is proposing actually paying down our
debt, except Rand Paul, whose proposal is serious, and Paul Ryan, whose
proposal is far too weak.
Mussollini did praise Keynes, and Keynes did praise Hitler, but I am
not going to take the time to look it up. I would ask, though: what
would Keynes have objected to in Hitler’s use of state power to buy up
large segments of the private sector and enhance employment? And Hitler
DID have a plan to balance the budget: invade the rest of Europe. He
was far more sane than Lenin.
If you want intelligent analysis of the faults of our system, read my treatment of it: http://www.goodnessmovement.com/Page23.html
. What you think you know consists in logical fallacy, presumption of
facts which are not true, and the repetition of talking points created
by people just as ignorant as you.